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EDUCATION<\/strong><\/h2>\n\n\n\n

1983<\/strong> – MFA, Photography. University of New Mexico, Albuquerque, NM
1980<\/strong> – MA, Photography. University of New Mexico, Albuquerque, NM
1973<\/strong> – MS, Art Education. Southern Connecticut State University, CT<\/p>\n\n\n\n

PROFESSIONAL EXPERIENCE<\/strong><\/h2>\n\n\n\n

1994 \u2013 2014:<\/strong> Professor, School of the Art Institute of Chicago
1995-97, 2004-05, 2006-09:<\/strong> Chair, Photography Department, School of the Art Institute of Chicago
2001 \u2013 2003:<\/strong> Chair, Faculty Senate, School of the Art Institute of Chicago
1997 \u2013 1998; August 2005-2006:<\/strong> Sabbatical (New York, San Francisco, London, Chicago)
1989 \u2013 August 1994:<\/strong> Associate Professor, California State University, San Jose, CA
1990 \u2013 1994<\/strong>: Visiting Artist, San Francisco Art Institute and California College of Arts and Crafts, Oakland, CA
1980<\/strong> \u2013 August 1989:<\/strong> Assistant\/Associate Professor, University of Illinois, Champaign, IL
1985 \u2013 August 1986:<\/strong> Visiting Artist, The School of the Art Institute of Chicago, Chicago, IL
1983 \u2013 July 1984:<\/strong> Interim Chair, Photography Department, University of Illinois, Champaign, IL<\/p>\n\n\n\n

<\/p>\n\n\n\n

GRANTS AND AWARDS<\/strong><\/h2>\n\n\n\n

2005<\/strong> – Roger Brown Residency, New Buffalo, MI
2004<\/strong> – Travel grant and 2 week residency, Pingyao International Photography Festival, Pingyao, China
2003<\/strong> – Roger Brown Residency, New Buffalo, MI
2000<\/strong> – Illinois Art Council Artists Fellowship (Media Arts) 
1998<\/strong> – Villa Montalvo Artist Residency Saratoga, CA, May-August 
1998<\/strong> – Compton Fellowship for Visual Art
1997<\/strong> – Chicago Artists International Travel Fellowship, Barcelona, Spain 
1996<\/strong> – Illinois Art Council Artists Fellowship (Photography) 
1996<\/strong> – Art Matters Foundation Fellowship
1994<\/strong> – National Endowment for the Arts Visual Artists Fellowship (Revoked by the National Council on the Arts)
1988<\/strong> – National Endowment for the Arts Visual Artists Fellowship
1987<\/strong> – William and Flora Hewlett Summer International Research Grant
1987<\/strong> – Illinois Art Council Artists Fellowship (Photography) <\/p>\n\n\n\n

<\/p>\n\n\n\n

SELECTED SOLO, TWO PERSON, AND COLLABORATIVE EXHIBITIONS<\/strong><\/h2>\n\n\n\n

20<\/strong>24 – Solo Exhibition, In Your Face: Barbara DeGenevieve, Artist & Educator<\/em>, SAIC Galleries, Chicago, IL (posthumous)
2015<\/strong> – Solo Exhibition, Barbara DeGenevieve: Medusa\u2019s Cave<\/em>, Iceberg Projects, Chicago, IL (posthumous)
2006<\/strong> – Fresh<\/em>  Benefit 2006, Renaissance Society, Chicago, IL
2006<\/strong> – Solo Exhibition, Objectifying the Abject: Exploitation, Political (In)Correctness and Ethical
Dilemmas<\/em>, Gallery 400, Chicago, IL
1997<\/strong> – My Words In Your Mouth<\/em>, Tyler School of Art, Philadelphia, PA
Fucking and Thinking<\/em>, web page exhibition, @art Gallery, University of Illinois, Champaign,
[http:\/\/gertrude.art.uiuc.edu\/@art]
1996<\/strong> – Pleasured Spaces<\/em>, a collaborative performance\/installation, N.A.M.E. Gallery, Chicago, IL
1995<\/strong> – Solo Exhibition, My Words In Your Mouth<\/em>, Red Eye Gallery, Rhode Island School of Design, Providence, RI
Solo Exhibition, Between Thumb and Forefinger<\/em>, Heistand Gallery, Miami University, Oxford, OH
Solo Exhibition, My Words In Your Mouth<\/em>, Ezell Gallery, Chicago, IL
1994<\/strong> – Solo Exhibition, Between Thumb and Forefinger<\/em>, Eye Gallery, San Francisco, CA
1993<\/strong> – Solo Exhibition, University of Colorado, Denver, CO
1992<\/strong> – Solo Exhibition, Etherton\/Stern Gallery, Tucson, AZ
1991<\/strong> – Two-person Exhibition, Northlight Gallery, Tempe, AZ (with Beaumont Newhall)
1990<\/strong> – Two-person Exhibition, Labyrinths<\/em>, Institute for Research in Contemporary Art, University of Texas, Arlington, TX (with Meridel Rubenstein)
Solo Exhibition, No More Prayers<\/em>, Tyler School of Art, Temple University, Philadelphia, PA
Solo Exhibition, No More Prayers<\/em>, Ithaca College, Ithaca, NY<\/p>\n\n\n\n

<\/p>\n\n\n\n

SELECTED INVITATIONAL EXHIBITIONS, PERFORMANCES, SCREENINGS<\/strong><\/h2>\n\n\n\n

2023<\/strong> – Talia Chetrit \/ MATRIX 193<\/em>, Screening of Desperado,<\/em> Wadsworth Atheneum Museum of Art, Hartford, CT
2019<\/strong> – AUTO-EROTIC: FEMALE SEXUALITY IN THE FIRST PERSON, <\/em>Screening of Desperado<\/em>, The Block Museum of Art, Evanston, IL
2018<\/strong> – Genital Panic, <\/em>Screening of the Panhandler <\/em>project video, CUNSTHAUS, Tampa, FL
2017<\/strong> – Public, Private, Secret, <\/em>the Panhandler <\/em>project, International Center for Photography (ICP), NY
2009<\/strong> – ReelHeART International Film Festival, Toronto, Canada
Boston Underground Film Festival, Boston, MA
Women\u2019s International Film and Video Festival, Ljubljana, Slovenia
2008<\/strong> – Ahh…Decadence<\/em>!, Sullivan Galleries, Chicago, IL
2007<\/strong> – Kissy-Kissy<\/em>, Dean Jensen Gallery, Milwaukee, WI
2004<\/strong> – Freud: The Creative Analysis of Analysis<\/em>, University of Connecticut, Contemporary Art Gallery, Storrs, CT
2003<\/strong> – Tranny Fest, Screening of Butch Fire<\/em> from Full Load: Scenes from ssspread.com<\/em>, Roxie Theater, San Francisco, CA
Lesbian and Gay Film Festival, Screening of Mass Transit<\/em> from Full Load:Scenes from ssspread.com<\/em>
2002<\/strong> – Steven X and Barbara C<\/em>, various screenings New York City, Brooklyn, NY, Philadelphia, PA, Tucson, AZ, London, UK
2001<\/strong> – Eye Confess, screening Steven X and Barbara C<\/em>, Screening Room, Los Angeles, CA
Power Play<\/em>, Performance with Sheelah Murthy, Links Hall, Chicago, IL
From Steel to Flesh<\/em>, Indiana University Northwest, IUN Gallery for Contemporary Art, Gary, IN
Expat Caf\u00e9, Chicago CAN TV, screening and panel discussion of Steven X and Barbara C<\/em>
2000<\/strong> – Women in the Director\u2019s Chair Film and Video Festival, screening of Steven X and Barbara C<\/em>, Chicago, IL
Postcards From the Edge: Visual AIDS Benefit Show<\/em>, Andrew Kreps Gallery, NY, NY
(((FROM_W\/IN))))))))))<\/em>, Performance with Taro Hatori, M5 Gallery, Chicago, IL
1999<\/strong> – The Grotesqueness of Desire<\/em>, insideART, Chicago, IL
E-Poets Performance, NeoFuturarium, Chicago, IL (Live internet feed between Chicago and Montreal, Canada)
1998<\/strong> – Sabbatical Exhibition<\/em>, Betty Rymer Gallery, Chicago, IL
Who Do You Think You Are?<\/em>, Tom Blackman Fine Arts, TBA Space, Chicago, IL
1997<\/strong> – Discomfort: Contemporary Women Photographers<\/em>, Santa Barbara Contemporary Arts Forum, Santa Barbara, CA
Pink<\/em>, Jean Albano Gallery, Chicago, IL
1996<\/strong> – Art in Chicago, 1945-1995<\/em>, Museum of Contemporary Art, Chicago, IL
Illinois Photography in the 90s<\/em>, Museum of Contemporary Photography, Chicago, IL
1995<\/strong> – The Cultural Body<\/em>, Colorado College, Colorado Springs, CO
SEXART 4<\/em>, Mark Chester Gallery, San Francisco, CA
Face Forward: Contemporary Self Portraits<\/em>, Kohler Arts Center, Sheboygan, WI
1995<\/strong> – Monitors: Re-viewing Cultural Expression<\/em>, Betty Rymer Gallery, School of the Art Institute,  Chicago, IL
Art About Life: Contemporary American Culture<\/em>, Fine Arts Gallery, Indiana University, Bloomington, IN
1994<\/strong> – As We Like It<\/em>, Side Street Projects, Santa Monica, CA
Mirror, Mirror<\/em>, San Jose Institute of Contemporary Art, San Jose, CA
What She Wants<\/em>, touring exhibition, London and other cities in the U.K.
1993<\/strong> – Flesh, Fetish, Fragment: A Romance<\/em>, Film in the Cities, Minneapolis, MN
1992<\/strong> – In Progress<\/em>, San Francisco Art Institute, San Francisco, CA
Photobiographers<\/em>, Atlanta Gallery of Photography, Atlanta GA
Parents<\/em>, Museum of Contemporary Art, Dayton, OH
1991<\/strong> – Spirit of the Self: Five Women Photographers<\/em>, Indiana University, Bloomington, IN
Critically Situated<\/em>, San Jose Institute of Contemporary Art, San Jose, CA
Self Portraits of Contemporary Women<\/em>, Tokyo Metropolitan Museum of Photography, Tokyo
1990<\/strong> – Personal\/Political: Sexuality Self Defined<\/em>, Gallery 2, School of the Art Institute of Chicago
Photography: Inventions and Innovations<\/em>, Art Institute of Chicago, Chicago, IL
1989 <\/strong>– Depth of Field: Works by Recent Illinois Arts Council Artist Fellowship Recipients in Photography,<\/em> Museum of Contemporary Photography, Chicago, IL<\/p>\n\n\n\n

MEDIA APPEARANCES<\/strong><\/h2>\n\n\n\n

2009<\/strong> – Lynette Kalsnes, Interview with podcast, \u201cArts Groups Pushing for Money and Health Care,\u201d WBEZ Chicago Public Radio, Chicago, IL, January 29, 2009.
2009<\/strong> – Lynette Kalsnes, Interview with podcast, \u201cArtists Wonder How Obama Might Change Art,\u201d WBEZ Chicago Public Radio, January 20, 2009.
2008<\/strong> – Chicago Amplified, debate with Robert Jensen, \u201cGetting Off: Sex, Pornography, and Masculinity in the 21st<\/sup> Century,\u201d WBEZ Chicago Public Radio, January 31, 2008.
2006 <\/strong>– DVD magazine, Issue: 01, \u201cThe Art Disk,\u201d Winter, 2006.
Carol Jacobsen, \u201cCensorious,\u201d documentary video about women in the arts who have been censored; multiple national\/international screenings, 2005.
2004 <\/strong>– Michele Mahoney, \u201cThe Undergrad,\u201d film role: Mrs. Robinson; plot: remake of \u201cThe Graduate\u201d with an all female cast, 38 national\/international screenings, 2004.
2003<\/strong> – Interview, \u201cPornography in Academia,\u201d SexTV, Toronto, Canada, (multiple airings), 2003.
2003<\/strong> – Interview, \u201cArt That Offends,\u201d Art Chicago, Channel 11, (multiple airings), 2003.
2002 <\/strong>– Gretchen Helfrich, Odyssey, \u201cFilm Forum: Women in the Director\u2019s Chair Festival,\u201d WBEZ Chicago Public Radio, March 17, 2002.
<\/p>\n\n\n\n

<\/p>\n\n\n\n

SELECTED LECTURES AND PANELS<\/strong><\/h2>\n\n\n\n

2009 <\/strong>– Artist Lecture, Parsons, The New School, NY, NY
Artist Lecture, New York University, NY, NY
Artist Lecture, Fashion Institute of Technology, NY, NY
2008 <\/strong>– Getting Off: Sex, Pornography, and Masculinity in the 21st<\/sup>\u00a0Century, debate with Robert Jensen, Illinois Humanities Council, Jane Adams Hull House, Chicago, IL
2006<\/strong> – \u201cThe Panhandler Project: Exploitation, Political Correctness and Ethical Dilemmas,\u201d Artist lecture and panel, Gallery 400, University of Illinois, Chicago
2005<\/strong> – \u201cEthics, Legality and Art,\u201d roundtable discussion, Multicultural Affairs Program, School of the Art Institute of Chicago, IL
\u201cThe Panhandler Project: Exploitation, Political Correctness and Ethical Dilemmas,\u201d International
Visual Sociology Association Conference, Trinity College, Dublin, Ireland
\u201cThe Hot Bods of Queer Porn,\u201d The Art and Politics of Netporn International Conference,
Amsterdam, NL
\u201cObjectifying the Abject: Exploitation, Political Correctness and Ethical Dilemmas,\u201d\u00a0
Artist Lecture, University of Memphis, TN
\u201cUncomfortability,\u201d panel discussion, Performing Arts Chicago, PAC\/edge Performance Festival,
Chicago, IL
\u201cEconomies of Touch,\u201d panel discussion, Performing Arts Chicago, PAC\/edge Performance Festival, Chicago, IL
\u201cThe Politics of Porn,\u201d Gender Studies Colloquium, Northwestern University, Chicago, IL
2004<\/strong> – \u201cDebatable: An Evening of Performance and Video,\u201d Insight Arts, Chicago, IL
\u201cThe Artist as Curator,\u201d panel presentation, Pingyao International Photography Festival, Pingyao, China
2002 <\/strong>– \u201cUnder the Radar: Pornography in Academia,\u201d lecture and screening, Sex Workers Arts Festival, Tucson, AZ
\u201cUnder the Radar: Pornography in Academia,\u201d lecture, panel and screening, National Conference,
Society for Photographic Education, Las Vegas, NV
2000<\/strong> – \u201cSmall Lies, Big Truths,\u201d Panel and screening, Women in the Director\u2019s Chair Film and Video Festival, Chicago
2000<\/strong> – LadyFest 2000, \u201cFeminist Perspectives on Pornography,\u201d panel, Chicago, IL
\u201cRisky Business: Fessing up to Perversion,\u201d conference on voyeurism, Society for Photographic Education, Western Regional Conference, University of California, Santa Barbara, CA
1999<\/strong> – \u201cThe Pornographic Sublime,\u201d Performative Lecture, National Conference, Society for Photographic Education, Tucson, AZ
\u201cFucking and Thinking: Pornography as Theory,\u201d Artist Lecture, Rutgers University,\u00a0 New Brunswick, NJ
\u201cFucking and Thinking: Pornography as Theory,\u201d Artist Lecture, University of Colorado, Boulder, CO
1998<\/strong> – \u201cFucking and Thinking: Pornography as Theory,\u201d Artist Lecture, Royal College of Art, London
Artist Lecture, New York University, NY, NY
1997<\/strong> – Artist Lecture, Herron School of Art, Indianapolis, IN
\u201cAesthetic Cleansing: Sex, Kitsch, Censorship and the Recuperation of Pornography,\u201d Ball State University, Muncie IN
Artist Lecture, Tyler School of Art, Philadelphia, PA
1996<\/strong> – \u201cAesthetic Cleansing: Sex, Kitsch, Censorship and the Recuperation of Pornography,\u201d University of Toledo, Toledo, OH
\u201cFucking and Thinking: Pornography as Theory,\u201d Artist Lecture, State University of New York, New Paltz, NY
\u201cFucking and Thinking: Pornography as Theory,\u201d Artist Lecture, Society for Photographic Education National Conference, Los Angeles, CA
\u201cTranspositions: The Art of Transsexuality,\u201d Presentation with Susan Stryker and Loren Cameron,
Society for Photographic Education National Conference, Los Angeles, CA
Artist Lecture, for the \u201cDialogues of Irony: Humor and Terror in Contemporary Art\u201d Visiting Artist
Series, New Mexico State University, Las Cruces, NM
Artist Lecture, School of the Museum of Fine Arts, Boston, MA
1995<\/strong> – Artist Lecture, Colorado College, Colorado Springs, CO
Artist Lecture, Rhode Island School of Design, Providence, RI
\u201cAesthetic Cleansing: Sex, Porn, Censorship and the Ideology of Kitsch,\u201d Featured Speaker, Society for Photographic Education, Miami University, Oxford, OH
Artist Lecture, Washington University, St. Louis, MO
Artist lecture and Panel on Censorship, National Graduate Seminar, Photography Department, Tisch School of the Arts, New York University, NY
Artist Lecture, University of Illinois, Gallery 400, Chicago, IL
\u201cFear of Art, Fear of the Real,\u201d Gallery Lecture, Ezell Gallery, Chicago, IL
1994<\/strong> – Artist Lecture and two day residency for graduate tutorials, Maryland Institute College of Art, Baltimore, MD
\u201cSexual Subject\/Sexual Object: Rethinking the Female Body or How I Relaxed and Learned From
Madonna,\u201d National SPE Conference, Chicago, IL
\u201cTalking Dirty: The Politics of Female Pleasure,\u201d panel moderator, The Illustrated Woman, Second
Annual Conference on Feminist Activism and Art, The Lab Gallery, San Francisco, CA
1993<\/strong> – Artist Lecture and Graduate Seminar, California Institute of the Arts, Valencia, CA
Artist Lecture, University of Minnesota, Minneapolis, MN (lecture and three day residency)
1992<\/strong> – \u201cSexual Object\/Sexual Subject: Rethinking the Female Body,\u201d Women in Photography Conference, Tucson, AZ
Artist Lecture, School of the Visual Arts, New York, NY
\u201cIs Nothing Sacred? Images, Representation, and Accountability,\u201d National SPE Conference,
Washington, D.C.
\u201cIt\u2019s a Dick Thing: Watching Men Watching Men Watch,\u201d Panel, National SPE Conference, Washington, D.C.
\u201cWhat the Bleep\u2019s Going On: Censorship and the Arts,\u201d Panel, San Jose State University,\u00a0San Jose, CA
1991<\/strong> – \u201cBoys Will Be Boys: Male Sexuality and Representation,\u201d Panel Discussion with the exhibition
\u201cNo More Heroes: Unveiling Masculinity\u201d at SF Camerawork Gallery, San Francisco, CA
\u201cMasculinity and Its Discontents,\u201d Curator\u2019s Lecture, SF Camerawork Gallery, San Francisco, CA
with the exhibition \u201cNo More Heroes: Unveiling Masculinity\u201d
\u201cPrivate Vision\/Public Eye: Sally Mann and Barbara DeGenevieve,\u201d co-sponsored by Friends of
Photography and Eye Gallery, San Francisco, CA
1990<\/strong> – Artist Lecture for the \u201cLabyrinths\u201d exhibition, University of Texas, Arlington, TX
\u201cA History of Gender Representation,\u201d Sheffield Polytechnic, Sheffield, England
\u201cA History of Gender Representation\u201d and Artist Lecture, Nottingham Polytechnic,\u00a0Nottingham, England
Artist Lecture, Glasgow School of Art, Glasgow, Scotland<\/p>\n\n\n\n

<\/p>\n\n\n\n

WORKSHOPS AND SEMINARS<\/strong><\/h2>\n\n\n\n

2005<\/strong> – The Brilliance of Simple, one day video and photography workshop, University of Memphis, Memphis, TN
2004<\/strong> – Critique Seminar with students from China, Korea, and Japan, Pingyao Int\u2019l Photography Festival, Pingyao, China.
2001<\/strong> – Panel on Voyeurism, National Photography Institute Graduate Seminar, Tisch,\u00a0New York University, NY
1999<\/strong> – Artist in Residence, one week residency and seminar, University of Colorado at Boulder.
1997<\/strong> – \u201cThe Body and It\u2019s Excesses,\u201d three day workshop, Tyler School of Art, Philadelphia, PA
1996<\/strong> – \u201cThe Body and It\u2019s Excesses,\u201d one week workshop, Oxbow Summer Program, Saugatuck, MI
\u201cThe Body and It\u2019s Excesses,\u201d two weekend workshop, International Center for Photography, NY, NY
1995<\/strong> – \u201cThe Body and It\u2019s Excesses,\u201d one week workshop, Colorado College, Colorado Springs, CO
One week residency with the graduate photography seminar, Rhode Island School of Design, Providence, RI
\u201cThe Body and It\u2019s Excesses,\u201d one week workshop, University of New Mexico, Albuquerque, NM
National Graduate Seminar, Photography Department, Tisch School of the Arts, New York
University, artist lecture, panel on recent censorship issues, NY
1994<\/strong> – National Graduate Seminar, Photography Department, Tisch School of the Arts, New York University, two week residency.
1992<\/strong> – \u201cAt the Margins: Sexuality, Gender, and Representation,\u201d three day workshop, University of Colorado, Denver, CO
1993<\/strong> – \u201cThe Body Double: Gender, Sexuality, Self and Image,\u201d two week residency, Anderson Ranch, Snowmass, CO
\u201cGender and Sexuality\u201d (two day performance workshop, artist lecture) Mississippi State University, Starkville, MS
\u201cGender and Sexuality\u201d (two day performance workshop, artist lecture) Memphis State University,
Memphis, TN
1991<\/strong> – \u201cNew Directions: Influences in the 90\u2019s,\u201d Friends of Photography Summer workshop with Anne Tucker, Deborah Willis, and Holly Roberts, San Francisco, CA
1990<\/strong> – \u201cThe Self in Context,\u201d Summer Workshop, two week residency, Anderson Ranch, Snowmass, CO
Five day tutorial residency, Glasgow School of Art, Glasgow, Scotland
Gender Workshop and five day tutorial residency, Nottingham Polytechnic, Nottingham, England<\/p>\n\n\n\n

<\/p>\n\n\n\n

CURATORIAL EXPERIENCE<\/strong><\/h2>\n\n\n\n

2009 <\/strong>– Curator, Group Exhibition, Bridge Art Fair, Basel, Switzerland, June 2009
2009 <\/strong>– Curator, Group Exhibition, Bridge Art Fair, NY, NY, March 2009
2009<\/strong> – Curator, Threat Level: \u201cS**king, F**king, F**ting, and BJs\u201d queer video screening, Mr Elegant Gallery, Chicago, IL, February 2009.
2004<\/strong> – Curator, Student work from the School of the Art Institute, Pingyao Int\u2019l Photography Festival, Pingyao, China 2004
2002<\/strong> – Curator, \u201cLooped,\u201d Festival of Video Shorts, Artemisia Gallery, Chicago, IL, 2002
2003 <\/strong>– Juror, Women in the Directors Chair Film and Video Festival, 2001, 2003
2000<\/strong> – Co-Curator, \u201cPlain Brown Wrapper: Artists Make Porn,\u201d Video Screening, G2 Gallery, SAIC, Chicago, IL, 2000
1991<\/strong> – Editor, \u201cNo More Heroes\u201d issue of the SF Camerawork Quarterly, Summer\/Fall 1991
1991<\/strong> – Curator, \u201cNo More Heroes: Unveiling Masculinity,\u201d SF Camerawork Gallery, San Francisco, CA (October 18-November 23, 1991)
1991 <\/strong>– Curator, \u201cArticulated Disparities: Renegotiating Masculinity,\u201d Gallery 1, San Jose State University, San Jose, CA (September 10-October 10, 1991)
1991<\/strong> – Curator, \u201cReimaging Masculinity,\u201d WORKS Gallery, San Jose CA (September, 1991)<\/p>\n\n\n\n

<\/p>\n\n\n\n

PUBLISHED AND UNPUBLISHED WRITINGS AS AUTHOR<\/strong><\/h2>\n\n\n\n

\u201cA View from the Ivory Tower,\u201d Biasin, Enrico, Giovanna Maina, and Federico Zecca, eds.\u00a0Porn After Porn:<\/em> Contemporary Alternative Pornographies<\/em>. Milan: Mimesis International, 2014, pp. 147-156.
\u201cThe emergence of non-standard bodies and sexualities,\u201d\u00a0Porn Studies<\/em>, Routledge Press, Volume 1,\u00a0Issue 1-2, 01\/02\/2014. https:\/\/doi.org\/10.1080\/23268743.2014.888253\u00a0
\u201cFuzzy Logic: \u2018I Know It When I See It\u2019 and Other Hazards for Artists,\u201d NMC Media-N, March 24, 2013.\u00a0
\u201cSsspread. com: The hot bods of queer porn.\u201d\u00a0A NETPORN STUDIES READER<\/em>\u00a0(2007): 233.
https:\/\/networkcultures.org\/_uploads\/22.pdf#page=243.
\u201cCensorship in the US or Fear and Loathing of the Arts,\u201d\u00a0Social Identities<\/em>, Routledge Press, Volume 13, Issue 2, 03\/01\/2007. https:\/\/doi.org\/10.1080\/13504630701235549
\u201cNo Fisting, No Squirting, No Coffins,\u201d\u00a0Camerawork<\/em>, pp.18-21, Fall\/Winter 2003
\u201cThe Pornographic Sublime,\u201d\u00a0Exposure<\/em>, vol.35:1, 2002, pp.13-20.
\u201cPersonal interview with author.\u201d Unpublished Text. October 9 (2002).
\u201cAesthetic Cleansing: Sex, Kitsch, Censorship, and the Recuperation of Pornography,\u201d 1998 (unpublished)
\u201cInterview with Ron Athey,\u201d\u00a0Hyphen<\/em>\u00a0#11, January, 1996
\u201cMy Mother\u2019s Body,\u201d\u00a0Herotica<\/em>\u00a04, Cleis Press, 1996
\u201cFucking and Thinking: Theorizing my 40 Something Body,\u201d\u00a0P-Form<\/em>, January 1995
\u201cLetting us look: Scandalous genders or blue baby blur.\u201d\u00a0Camerawork<\/em>\u00a021, no. 2 (1994): 46-47.
\u201cSexual Subject\/Sexual Object: Rethinking the Female Body\u201d 1992 (unpublished)
\u201cIs Nothing Sacred? Images, Representation and Accountability\u201d 1992 (unpublished)
\u201cMasculinity and its discontents.\u201d\u00a0Camerawork<\/em>\u00a018 (1991): 3-4.
Introductory essay, Anne Noggle, (catalog for the exhibition), 1988, pp. 3-5, Photographers\u2019 Gallery, London, UK.
\u201cGuest Editorial: On Teaching Theory,\u201d\u00a0Exposure<\/em>, 26:2\/3, The Journal for the Society for Photographic Education, Fall, 1988.\u00a0
\u201cPsychological and cultural origins of gender representation and their influences on contemporary photographic imagemaking.\u201d MFA diss., University of New Mexico, 1988.
\u201cSilver Lining: The Photographs of Anne Noggle,\u201d\u00a0Exposure<\/em>, 22:4, The Journal for the Society for
Photographic Education, (book review) 1984, pp. 25-27.
\u201cAn Essay on Photography and Gender,\u201d Gender Construction: An Inquiry into Gender and Photographic Representation, (catalog for the exhibition \u201cGender Construction\u201d), 1984, pp.11-12.
\u201cSex As Subject,\u201d\u00a0Exposure<\/em>, 20:4, The Journal of the Society for Photographic Education, 1982, pp. 6-20.<\/p>\n\n\n\n

BIBLIOGRAPHY<\/strong><\/h2>\n\n\n\n

<\/p>\n\n\n\n

Susana Vellarino Albuera, \u201cPostpornograf\u00eda. La revoluci\u00f3n de la periferia y sus aristas.\u201d\u00a0Kamchatka.<\/em>
Revista de an\u00e1lisis cultural<\/em>. 19 (2022): 187-216.
Andrea Waling, \u201cReading the Dick Pic Reparatively.\u201d\u00a0Journal of Popular Romance Studies<\/em>\u00a0(2022).
Noa Micaela Fields, \u201cTip of the Iceberg: A Conversation with Iceberg Projects,\u201d\u00a0Sixty Inches from Center<\/em>, May 7, 2020.
Robert W. Gehl,\u00a0Weaving the dark web: Legitimacy on Freenet, Tor, and I2P<\/em>. MIT Press, 2018.
Feona Attwood, \u201cCHAPTER TWO WOMEN\u2019S PORNOGRAPHY.\u201d\u00a0Pornographies<\/em>\u00a0(2018): 49.
Skylar Fein,\u00a0 \u201cSchool\u2019s Out Forever.\u201d PhD diss., Tulane University, 2018.
David Getsy, editor,\u00a0Queer<\/em>. 2016. Chapter: Queer worlding, defiant flourishing. London : Whitechapel Gallery ; Cambridge, Massachusetts : The MIT Press\u00a0
Jill Bakehorn, \u201cMaking politics explicit: Depicting authenticity in women-made pornography.\u201d In
Introducing the New Sexuality Studies<\/em>, pp. 456-467. Routledge, 2016.
Katherine Behar, ed.\u00a0Object-oriented feminism<\/em>. U of Minnesota Press, 2016.
Katherine Behar, \u201cAn Introduction to OOF.\u201d\u00a0Object-Oriented Feminism<\/em>\u00a03 (2016).
Ya\u00ebl Pouffary, \u201cInternational Conference \u201cStaging American Bodies\u201d. Staging America\u2013Seventh Annual International Conference, Universit\u00e9 Nice Sophia Antipolis, March 17-18, 2016.\u201d\u00a0Transatlantica. Revue d\u2019\u00e9tudes am\u00e9ricaines. American Studies Journal<\/em>\u00a01 (2016).
Schreiber, Rachel. \u201c\u2018Someone you know is a sex worker\u2019: A media campaign for the St James Infirmary.\u201d In\u00a0Queer sex work<\/em>, pp. 255-262. Routledge, 2015.
Nicole Erin Morse, \u201cPornography in sex research: the construction of sex, gender, and sexual orientation.\u201d Porn Studies<\/em>\u00a02, no. 4 (2015): 314-328.
Sheelah Murthy, \u201cBarbara DeGenevieve: Keep Pushing,\u201d\u00a0Porn Studies<\/em>, Volume 2, Issue 1, 01\/02\/2015. https:\/\/doi.org\/10.1080\/23268743.2015.1012887
Kate Sierzputowski, \u201cA year after her death, the controversial artist Barbara DeGenevieve gets her first solo exhibition,\u201d\u00a0Chicago Reader<\/em>, October 7, 2015.
Lauren Altman, \u201cLooking Inside \u2018Medusa\u2019s Cave\u2019,\u201dF Newsmagazine<\/em>, November 11, 2015.\u00a0
Enrico Biasin, Giovanna Maina, and Federico Zecca, eds.\u00a0Porn After Porn: Contemporary Alternative Pornographies<\/em>. Milan: Mimesis International, 2014.
Giovanna Maina, \u201cAfter The Feminist Porn Book: further questions about feminist porn.\u201d\u00a0Porn Studies<\/em>\u00a01, no. 1-2 (2014): 182-185.
Sarah Schaschek, \u201cNostalgia: Strategies of Imitation in Queer Pornography.\u201d\u00a0Pornography and Seriality: The Culture of Producing Pleasure<\/em>\u00a0(2014): 145-175.
Dominic Johnson, \u201cVoice, Performance, and Border Crossings: An Interview with Tobaron Waxman.\u201d Transgender Studies Quarterly<\/em>\u00a01, no. 4 (2014): 614-619.
Marwa Eltagouri, \u201cBarbara DeGenevieve, Provocative Artist, Dies,\u201d\u00a0Chicago Tribune<\/em>, August 25, 2014.
Susan Silas, \u201cThoughts on the Life and Art of Barbara DeGenevieve,\u201d\u00a0Hyperallergic<\/em>, August 14, 2014.
Michelle Bogre,\u00a0Photography 4. 0: a Teaching Guide for the 21st Century : Educators Share Thoughts and<\/em> Assignments<\/em>. 2014. Hoboken: Taylor & Francis Group.
Brittainy Lauback, \u201cOut Side: Power, Pleasure, and Anxiety.\u201d PhD diss., University of Georgia, 2014.
Francesco Macarone Palmieri, \u201cEmoporn.\u201d\u00a0A Peer-Reviewed Journal About 2<\/em>, no. 1 (2013): 74-85.
Giovanna Maina, and Marian Nur Goni. \u201cGrotesque Empowerment Belladonna\u2019s Strapped Dykes entre mainstream et queer.\u201d\u00a0Rue Descartes<\/em>\u00a03 (2013): 91-104.
Samantha Majic, \u201cChallenging Gender Norms? Feminist institutionalism and the nonprofit sector.\u201d Inannual Meeting of the Western Political Science Association<\/em>, Hollywood, CA, March, pp. 28-30. 2013.
Zowie Davy, and Eliza Steinbock. \u201c\u2018Sexing up\u2019 bodily aesthetics: Notes towards theorizing trans sexuality.\u201d Issue 1-2, 01\/02\/2014. https:\/\/doi.org\/10.1080\/23268743.2014.888253\u00a0
Kylo-Patrick R. Hart, \u201cExploring queer cinema in the twenty-first century.\u201d\u00a0New Cinemas: Journal of Contemporary Film<\/em>\u00a010, no. 2-3 (2012): 97-99.
Josh Benton, \u201cArt\/Porn: A History of Seeing and Touching by dennis, kelly.\u201d\u00a0The Journal of Aesthetics and Art Criticism<\/em>\u00a069, no. 3 (2011): 340-342.
Kyle McDonald, \u201cThe Electronic Walls Have Eyes.\u201d\u00a0F Newsmagazine<\/em>, October 1, 2011.
https:\/\/fnewsmagazine.com\/2011\/10\/the-electronic-walls-have-eyes\/.
Kelly Dennis,\u00a0Art\/Porn: A history of seeing and touching<\/em>. Berg Publishers, 2009.
Peter Lehman.\u00a0Running scared: Masculinity and the representation of the male body<\/em>. Wayne State University Press, 2007.
Katrien Jacobs,\u00a0Netporn: DIY web culture and sexual politics<\/em>. Rowman & Littlefield, 2007.
\u201cObjectifying the Abject: Exploitation, Political (In)Correctness and Ethical Dilemmas,\u201d\u00a0Time Out Chicago<\/em>, review by Jason Mojica, February 23-March 2, 2006, p.59.
\u201cDon\u2019t Miss,\u201d\u00a0Time Out Chicago<\/em>, February 23-March 2, 2006, p.60.
Gallery 400 at UIC (recommended),\u00a0New City<\/em>, review by Michael Workman, February 16, 2006, p.17.
\u201cExposed,\u201d\u00a0Chicago Reader<\/em>, review by Deanna Isaacs, February 24, 2006, sec.2. p. 2.
\u201cObjectifying the Abject: Exploitation, Political (In)Correctness and Ethical Dilemmas,\u201d catalog essay by Michael Weinstein for at the edge (innovative art in chicago), Gallery 400, University of Illinois, Chicago. February 2006.
Katrien Jacobs, \u201cThe amateur pornographer and the glib voyeur.\u201d\u00a0M\/C Journal 7<\/em>, no. 4 (2004).
Shannon Bell, \u201cPost-porn\\post-anti-porn: Queer socialist pornography.\u201d In\u00a0New Socialisms<\/em>, pp. 151-168. Routledge, 2004.
\u201cWhat Is Really on the Mind of an Artist?\u00a0New York Times<\/em>, April 4, 2004.
\u201cA wide-ranging exhibit makes art of Freudian analysis.\u201d\u00a0Hartford Courant<\/em>, April 8. 2004.
\u201cAnalyze This,\u201d\u00a0Hartford Advocate<\/em>, April 8, 2004.
Susan Morris,\u00a0Museums and new media art<\/em>. New York: Rockefeller Foundation, 2001.”
Karen Vanmeenen, \u201c1999 SPE national conference.\u201d\u00a0Afterimage<\/em>\u00a026, no. 6 (1999): 6.
\u201cUnder Surveillance,\u201d\u00a0Chicago Reader<\/em>, April 23, 1999.
\u201cGoing Public,\u201d\u00a0Chicago Sun Times<\/em>, January 1, 1999.
Dore Bowen, \u201cFeminist looks.\u201d\u00a0Afterimage<\/em>\u00a025, no. 5 (1998): 18.
Michael Starenko, \u201cAssessing the MFA in Photography.\u201d\u00a0Afterimage<\/em>\u00a025, no. 1 (1997): 7-7.
\u201cPink at Jean Albano Gallery,\u201d\u00a0Chicago Reader<\/em>, April 11, 1997.
\u201cShow puts pink in a new Light,\u201d\u00a0Chicago Tribune<\/em>, April 11, 1997.
Gallery Watch: \u201cPink,\u201d\u00a0Chicago Tribune<\/em>, April 11, 1997.
Amy Adler, \u201cWhat\u2019s Left: Hate Speech, Pornography, and the Problem for Artistic Expression.\u201d\u00a0 Cal L. Rev<\/em>. 84 (1996): 1499.
CAMERAWORK, SF, and ANNOUNCES MOVE. \u201cNew Telecom Bill.\u201d (1996).
\u201cBad girl slachtoffer van censuur,\u201d\u00a0Opzij<\/em>\u00a0(Netherlands), June 1995.
Bill Gaskins, \u201cAsk Me Anything, I Have Nothing To Hide: An interview with Barbara DeGenevieve,\u201d\u00a0New Art Examiner<\/em>, March 1995.
Review, \u201cMonitors: Reviewing Cultural Expression,\u201d\u00a0New City<\/em>, April 20, 1995.
\u201cPhoto Show Reveals Much About the Artist,\u201d\u00a0Chicago Sun Times<\/em>, March 17, 1995, p.19.
Review, \u201cMy Words in Your Mouth,\u201d\u00a0New City<\/em>, March 16, 1995.
Diana Jean Schemo, \u201cEndowment Ends Program Helping Individual Artists.\u201d\u00a0The New York Times<\/em>, November 3, 1994, sec. Arts.
Tanya Turkovich, \u201cSex, Fear and the NEA: An interview with Barbara DeGenevieve,\u201d\u00a0F Newsmagazine<\/em> SAIC, October 1994.
\u201cArea native\u2019s carnal art too risque for fund\u2019s taste\u201d\u00a0The Times Leader<\/em>, Wilkes-Barre, PA, August 26, 1994.
\u201cOn Art\u2019s Edge: Barbara DeGenevieve at odds with the NEA,\u201d\u00a0Chicago Tribune<\/em>, August 18, 1994.
\u201cFashions of Address,\u201d\u00a0Camerawork<\/em>\u00a0Journal, Spring\/Summer 1994, pp.30-33.
\u201cThe Illustrated Woman,\u201d\u00a0Camerawork<\/em>\u00a0Journal, Spring\/Summer 1994, pp.34-36.
Casey Fitzsimons, \u201cSexcapades: Barbara DeGenevieve at Eye Gallery and The Use of Pleasure at Terrain.\u201d Artweek<\/em>, nol 25 (1994): 28.
\u201cSpirit of the Self: Four Women Photographers,\u201d\u00a0New Art Examiner<\/em>, Feb,\/March 1992.
\u201cA Little Sexist,\u201d\u00a0Afterimage<\/em>, September 1992, p. 2.
Nadine L Mcgann, \u201cDumb Luck at SPE.\u201d (1992): 3-3.
\u201cParents,\u201d\u00a0New Art Examiner<\/em>, September 1992, p. 34.
\u201cPhotobiographers,\u201d\u00a0Art Papers<\/em>, May\/June 1992, Vol. 16, No. 6, p. 9.
\u201cSpirit of the Self: Four Women Photographers,\u201d\u00a0New Art Examiner<\/em>, February\/March 1992, p. 45.
\u201cUnveiling Masculinity at SF Camerawork,\u201d\u00a0Art Issues<\/em>, January, 1992.
\u201cIssues and Comment,\u201d (interview by David Pace and Diane Jonte-Pace), review:\u00a0Newsletter of the Friends<\/em> of Photography<\/em>, Nov\/Dec, 1991, pp. 8-9.
\u201cBrave Nude World,\u201d\u00a0The San Francisco Bay Guardian<\/em>, November 27, 1991, pp. 30, 36.
\u201cMasculinity Unveiled,\u201d\u00a0San Francisco Examiner<\/em>, November 14, 1991, p. D3.
\u201cFeminism focus of show,\u201d\u00a0Sunday Herald Times<\/em>\u00a0(Bloomington, IN) October 27, 1991, pp. D1, D4.
\u201cTurning the Tables,\u201d\u00a0Artweek<\/em>, September 19, 1991, pp. 1,11.
\u201cMan As Art,\u201d\u00a0San Jose Metro<\/em>, September 5-11, 1991, pp. 22, 24.
\u201cInappropriate Appropriations,\u201d\u00a0Artweek<\/em>, July 4, 1991, p. 11.
Gallery, Eye, Fraenkel Gallery, and Michael Shapiro Gallery. \u201cNEW MEXICO.\u201d\u00a0Afterimage<\/em>\u00a0(1990).
Arthur Tress, Paul Caponigro, Grey Crawford, Rita Dibert, Susan Smith, and Brian Taylor. \u201cDISTRICT OF COLUMBIA.\u201d\u00a0Afterimage<\/em>\u00a0(1986).<\/p>\n\n\n\n

<\/p>\n\n\n\n

PUBLIC COLLECTIONS<\/strong><\/h2>\n\n\n\n

Arizona State University, Tempe, AZ
California Institute of the Arts, Presidential Collection, Valencia, CA
Center for Creative Photography, Tucson, AZ
Central Washington University, Ellensburg, WA
Erie Art Center, Erie, PA
Illinois Photographers Project, Museum of Contemporary Photography, Chicago, IL (1995-2001,2006-present)
Independent Press Archive, Visual Studies Workshop, Rochester, NY
Pomona College, Claremont, CA
Seattle Museum of Art, Seattle, WA
Southern Connecticut State College, New Haven, CT
State of Illinois Art Acquisition Collection, Chicago, IL
Sur Rodney (Sur) Archives, New York, NY
Tamarind Institute, Albuquerque, NM
Tokyo Metropolitan Museum of Photography, Tokyo, Japan
University of New Mexico Fine Arts Museum, Albuquerque, NM<\/p>\n","protected":false},"excerpt":{"rendered":"

EDUCATION 1983 – MFA, Photography. University of New Mexico, Albuquerque, NM1980 – MA, Photography. University of New Mexico, Albuquerque, NM1973 – MS, Art Education. Southern Connecticut State University, CT PROFESSIONAL EXPERIENCE 1994 \u2013 2014: Professor, School of the Art Institute of Chicago1995-97, 2004-05, 2006-09: Chair, Photography Department, School of the Art Institute of Chicago2001 \u2013 […]<\/p>\nRead more<\/a>","protected":false},"author":9,"featured_media":285,"parent":90,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/notitle-page.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-676","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/web.saic.edu\/bdg\/wp-json\/wp\/v2\/pages\/676","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/web.saic.edu\/bdg\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/web.saic.edu\/bdg\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/web.saic.edu\/bdg\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/web.saic.edu\/bdg\/wp-json\/wp\/v2\/comments?post=676"}],"version-history":[{"count":49,"href":"https:\/\/web.saic.edu\/bdg\/wp-json\/wp\/v2\/pages\/676\/revisions"}],"predecessor-version":[{"id":1533,"href":"https:\/\/web.saic.edu\/bdg\/wp-json\/wp\/v2\/pages\/676\/revisions\/1533"}],"up":[{"embeddable":true,"href":"https:\/\/web.saic.edu\/bdg\/wp-json\/wp\/v2\/pages\/90"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/web.saic.edu\/bdg\/wp-json\/wp\/v2\/media\/285"}],"wp:attachment":[{"href":"https:\/\/web.saic.edu\/bdg\/wp-json\/wp\/v2\/media?parent=676"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}