My practice moves between interactive installation, browser-based systems, and projected image environments. I work with digital media not simply as a tool, but as a condition that shapes how we see, move, and understand ourselves. Across my work, I return to the relationship between body, image, and system: how the body is captured by a camera, translated into data, reduced into outline, or drawn into structures that feel responsive but are never fully under human control.
My interest in these questions developed gradually through both visual art and lived experience. I was trained first through image-making and visual form, but over time I became more interested in what happens when an image stops being fixed and begins to react, resist, or drift. I became drawn to spaces where painting, movement, projection, and code could overlap — spaces in which the body no longer appears as stable or whole, but as something fragmented, delayed, and continuously reconstructed. In these systems, interaction is not a promise of freedom. Often, it reveals uncertainty, limitation, and the gap between intention and outcome.
The works presented here approach this tension from different directions. In Through the Body, the face becomes a live surface onto which painted imagery is projected, merging bodily presence with technological mediation. In False Control, the viewer can click and intervene, but each action makes the system denser, less predictable, and harder to master. In ETHER FLOW, motion unfolds as an unstable field of expansion and transformation, suggesting a form of digital life that continues beyond the viewer’s command.
I am drawn to these unstable conditions because they feel close to contemporary experience. We live through interfaces that constantly track, simplify, and reorganize us, while also promising connection, expression, and control. My work does not try to resolve this contradiction. Instead, I use interactive visual environments to stay inside it — to examine vulnerability, delay, friction, and the strange distance that can appear between the body as lived and the body as processed image.