EDUCATION

1983 – MFA, Photography. University of New Mexico, Albuquerque, NM
1980 – MA, Photography. University of New Mexico, Albuquerque, NM
1973 – MS, Art Education. Southern Connecticut State University, CT

PROFESSIONAL EXPERIENCE

1994 – 2014: Professor, School of the Art Institute of Chicago
1995-97, 2004-05, 2006-09: Chair, Photography Department, School of the Art Institute of Chicago
2001 – 2003: Chair, Faculty Senate, School of the Art Institute of Chicago
1997 – 1998; August 2005-2006: Sabbatical (New York, San Francisco, London, Chicago)
1989 – August 1994: Associate Professor, California State University, San Jose, CA
1990 – 1994: Visiting Artist, San Francisco Art Institute and California College of Arts and Crafts, Oakland, CA
1980 – August 1989: Assistant/Associate Professor, University of Illinois, Champaign, IL
1985 – August 1986: Visiting Artist, The School of the Art Institute of Chicago, Chicago, IL
1983 – July 1984: Interim Chair, Photography Department, University of Illinois, Champaign, IL

GRANTS AND AWARDS

2005 – Roger Brown Residency, New Buffalo, MI
2004 – Travel grant and 2 week residency, Pingyao International Photography Festival, Pingyao, China
2003 – Roger Brown Residency, New Buffalo, MI
2000 – Illinois Art Council Artists Fellowship (Media Arts) 
1998 – Villa Montalvo Artist Residency Saratoga, CA, May-August 
1998 – Compton Fellowship for Visual Art
1997 – Chicago Artists International Travel Fellowship, Barcelona, Spain 
1996 – Illinois Art Council Artists Fellowship (Photography) 
1996 – Art Matters Foundation Fellowship
1994 – National Endowment for the Arts Visual Artists Fellowship (Revoked by the National Council on the Arts)
1988 – National Endowment for the Arts Visual Artists Fellowship
1987 – William and Flora Hewlett Summer International Research Grant
1987 – Illinois Art Council Artists Fellowship (Photography) 

SELECTED SOLO, TWO PERSON, AND COLLABORATIVE EXHIBITIONS

2024 – Solo Exhibition, In Your Face: Barbara DeGenevieve, Artist & Educator, SAIC Galleries, Chicago, IL (posthumous)
2015 – Solo Exhibition, Barbara DeGenevieve: Medusa’s Cave, Iceberg Projects, Chicago, IL (posthumous)
2006 – Fresh  Benefit 2006, Renaissance Society, Chicago, IL
2006 – Solo Exhibition, Objectifying the Abject: Exploitation, Political (In)Correctness and Ethical
Dilemmas, Gallery 400, Chicago, IL
1997 – My Words In Your Mouth, Tyler School of Art, Philadelphia, PA
Fucking and Thinking, web page exhibition, @art Gallery, University of Illinois, Champaign,
[http://gertrude.art.uiuc.edu/@art]
1996 – Pleasured Spaces, a collaborative performance/installation, N.A.M.E. Gallery, Chicago, IL
1995 – Solo Exhibition, My Words In Your Mouth, Red Eye Gallery, Rhode Island School of Design, Providence, RI
Solo Exhibition, Between Thumb and Forefinger, Heistand Gallery, Miami University, Oxford, OH
Solo Exhibition, My Words In Your Mouth, Ezell Gallery, Chicago, IL
1994 – Solo Exhibition, Between Thumb and Forefinger, Eye Gallery, San Francisco, CA
1993 – Solo Exhibition, University of Colorado, Denver, CO
1992 – Solo Exhibition, Etherton/Stern Gallery, Tucson, AZ
1991 – Two-person Exhibition, Northlight Gallery, Tempe, AZ (with Beaumont Newhall)
1990 – Two-person Exhibition, Labyrinths, Institute for Research in Contemporary Art, University of Texas, Arlington, TX (with Meridel Rubenstein)
Solo Exhibition, No More Prayers, Tyler School of Art, Temple University, Philadelphia, PA
Solo Exhibition, No More Prayers, Ithaca College, Ithaca, NY

SELECTED INVITATIONAL EXHIBITIONS, PERFORMANCES, SCREENINGS

2023 – Talia Chetrit / MATRIX 193, Screening of Desperado, Wadsworth Atheneum Museum of Art, Hartford, CT
2019 – AUTO-EROTIC: FEMALE SEXUALITY IN THE FIRST PERSON, Screening of Desperado, The Block Museum of Art, Evanston, IL
2018 – Genital Panic, Screening of the Panhandler project video, CUNSTHAUS, Tampa, FL
2017 – Public, Private, Secret, the Panhandler project, International Center for Photography (ICP), NY
2009 – ReelHeART International Film Festival, Toronto, Canada
Boston Underground Film Festival, Boston, MA
Women’s International Film and Video Festival, Ljubljana, Slovenia
2008 – Ahh…Decadence!, Sullivan Galleries, Chicago, IL
2007 – Kissy-Kissy, Dean Jensen Gallery, Milwaukee, WI
2004 – Freud: The Creative Analysis of Analysis, University of Connecticut, Contemporary Art Gallery, Storrs, CT
2003 – Tranny Fest, Screening of Butch Fire from Full Load: Scenes from ssspread.com, Roxie Theater, San Francisco, CA
Lesbian and Gay Film Festival, Screening of Mass Transit from Full Load:Scenes from ssspread.com
2002 – Steven X and Barbara C, various screenings New York City, Brooklyn, NY, Philadelphia, PA, Tucson, AZ, London, UK
2001 – Eye Confess, screening Steven X and Barbara C, Screening Room, Los Angeles, CA
Power Play, Performance with Sheelah Murthy, Links Hall, Chicago, IL
From Steel to Flesh, Indiana University Northwest, IUN Gallery for Contemporary Art, Gary, IN
Expat Café, Chicago CAN TV, screening and panel discussion of Steven X and Barbara C
2000 – Women in the Director’s Chair Film and Video Festival, screening of Steven X and Barbara C, Chicago, IL
Postcards From the Edge: Visual AIDS Benefit Show, Andrew Kreps Gallery, NY, NY
(((FROM_W/IN)))))))))), Performance with Taro Hatori, M5 Gallery, Chicago, IL
1999 – The Grotesqueness of Desire, insideART, Chicago, IL
E-Poets Performance, NeoFuturarium, Chicago, IL (Live internet feed between Chicago and Montreal, Canada)
1998 – Sabbatical Exhibition, Betty Rymer Gallery, Chicago, IL
Who Do You Think You Are?, Tom Blackman Fine Arts, TBA Space, Chicago, IL
1997 – Discomfort: Contemporary Women Photographers, Santa Barbara Contemporary Arts Forum, Santa Barbara, CA
Pink, Jean Albano Gallery, Chicago, IL
1996 – Art in Chicago, 1945-1995, Museum of Contemporary Art, Chicago, IL
Illinois Photography in the 90s, Museum of Contemporary Photography, Chicago, IL
1995 – The Cultural Body, Colorado College, Colorado Springs, CO
SEXART 4, Mark Chester Gallery, San Francisco, CA
Face Forward: Contemporary Self Portraits, Kohler Arts Center, Sheboygan, WI
1995 – Monitors: Re-viewing Cultural Expression, Betty Rymer Gallery, School of the Art Institute,  Chicago, IL
Art About Life: Contemporary American Culture, Fine Arts Gallery, Indiana University, Bloomington, IN
1994 – As We Like It, Side Street Projects, Santa Monica, CA
Mirror, Mirror, San Jose Institute of Contemporary Art, San Jose, CA
What She Wants, touring exhibition, London and other cities in the U.K.
1993 – Flesh, Fetish, Fragment: A Romance, Film in the Cities, Minneapolis, MN
1992 – In Progress, San Francisco Art Institute, San Francisco, CA
Photobiographers, Atlanta Gallery of Photography, Atlanta GA
Parents, Museum of Contemporary Art, Dayton, OH
1991 – Spirit of the Self: Five Women Photographers, Indiana University, Bloomington, IN
Critically Situated, San Jose Institute of Contemporary Art, San Jose, CA
Self Portraits of Contemporary Women, Tokyo Metropolitan Museum of Photography, Tokyo
1990 – Personal/Political: Sexuality Self Defined, Gallery 2, School of the Art Institute of Chicago
Photography: Inventions and Innovations, Art Institute of Chicago, Chicago, IL
1989 – Depth of Field: Works by Recent Illinois Arts Council Artist Fellowship Recipients in Photography, Museum of Contemporary Photography, Chicago, IL

MEDIA APPEARANCES

2009 – Lynette Kalsnes, Interview with podcast, “Arts Groups Pushing for Money and Health Care,” WBEZ Chicago Public Radio, Chicago, IL, January 29, 2009.
2009 – Lynette Kalsnes, Interview with podcast, “Artists Wonder How Obama Might Change Art,” WBEZ Chicago Public Radio, January 20, 2009.
2008 – Chicago Amplified, debate with Robert Jensen, “Getting Off: Sex, Pornography, and Masculinity in the 21^st Century,” WBEZ Chicago Public Radio, January 31, 2008.
2006 – DVD magazine, Issue: 01, “The Art Disk,” Winter, 2006.
Carol Jacobsen, “Censorious,” documentary video about women in the arts who have been censored; multiple national/international screenings, 2005.
2004 – Michele Mahoney, “The Undergrad,” film role: Mrs. Robinson; plot: remake of “The Graduate” with an all female cast, 38 national/international screenings, 2004.
2003 – Interview, “Pornography in Academia,” SexTV, Toronto, Canada, (multiple airings), 2003.
2003 – Interview, “Art That Offends,” Art Chicago, Channel 11, (multiple airings), 2003.
2002 – Gretchen Helfrich, Odyssey, “Film Forum: Women in the Director’s Chair Festival,” WBEZ Chicago Public Radio, March 17, 2002.

SELECTED LECTURES AND PANELS

2009 – Artist Lecture, Parsons, The New School, NY, NY
Artist Lecture, New York University, NY, NY
Artist Lecture, Fashion Institute of Technology, NY, NY
2008 – Getting Off: Sex, Pornography, and Masculinity in the 21^st Century, debate with Robert Jensen, Illinois Humanities Council, Jane Adams Hull House, Chicago, IL
2006 – “The Panhandler Project: Exploitation, Political Correctness and Ethical Dilemmas,” Artist lecture and panel, Gallery 400, University of Illinois, Chicago
2005 – “Ethics, Legality and Art,” roundtable discussion, Multicultural Affairs Program, School of the Art Institute of Chicago, IL
“The Panhandler Project: Exploitation, Political Correctness and Ethical Dilemmas,” International
Visual Sociology Association Conference, Trinity College, Dublin, Ireland
“The Hot Bods of Queer Porn,” The Art and Politics of Netporn International Conference,
Amsterdam, NL
“Objectifying the Abject: Exploitation, Political Correctness and Ethical Dilemmas,” 
Artist Lecture, University of Memphis, TN
“Uncomfortability,” panel discussion, Performing Arts Chicago, PAC/edge Performance Festival,
Chicago, IL
“Economies of Touch,” panel discussion, Performing Arts Chicago, PAC/edge Performance Festival, Chicago, IL
“The Politics of Porn,” Gender Studies Colloquium, Northwestern University, Chicago, IL
2004 – “Debatable: An Evening of Performance and Video,” Insight Arts, Chicago, IL
“The Artist as Curator,” panel presentation, Pingyao International Photography Festival, Pingyao, China
2002 – “Under the Radar: Pornography in Academia,” lecture and screening, Sex Workers Arts Festival, Tucson, AZ
“Under the Radar: Pornography in Academia,” lecture, panel and screening, National Conference,
Society for Photographic Education, Las Vegas, NV
2000 – “Small Lies, Big Truths,” Panel and screening, Women in the Director’s Chair Film and Video Festival, Chicago
2000 – LadyFest 2000, “Feminist Perspectives on Pornography,” panel, Chicago, IL
“Risky Business: Fessing up to Perversion,” conference on voyeurism, Society for Photographic Education, Western Regional Conference, University of California, Santa Barbara, CA
1999 – “The Pornographic Sublime,” Performative Lecture, National Conference, Society for Photographic Education, Tucson, AZ
“Fucking and Thinking: Pornography as Theory,” Artist Lecture, Rutgers University,  New Brunswick, NJ
“Fucking and Thinking: Pornography as Theory,” Artist Lecture, University of Colorado, Boulder, CO
1998 – “Fucking and Thinking: Pornography as Theory,” Artist Lecture, Royal College of Art, London
Artist Lecture, New York University, NY, NY
1997 – Artist Lecture, Herron School of Art, Indianapolis, IN
“Aesthetic Cleansing: Sex, Kitsch, Censorship and the Recuperation of Pornography,” Ball State University, Muncie IN
Artist Lecture, Tyler School of Art, Philadelphia, PA
1996 – “Aesthetic Cleansing: Sex, Kitsch, Censorship and the Recuperation of Pornography,” University of Toledo, Toledo, OH
“Fucking and Thinking: Pornography as Theory,” Artist Lecture, State University of New York, New Paltz, NY
“Fucking and Thinking: Pornography as Theory,” Artist Lecture, Society for Photographic Education National Conference, Los Angeles, CA
“Transpositions: The Art of Transsexuality,” Presentation with Susan Stryker and Loren Cameron,
Society for Photographic Education National Conference, Los Angeles, CA
Artist Lecture, for the “Dialogues of Irony: Humor and Terror in Contemporary Art” Visiting Artist
Series, New Mexico State University, Las Cruces, NM
Artist Lecture, School of the Museum of Fine Arts, Boston, MA
1995 – Artist Lecture, Colorado College, Colorado Springs, CO
Artist Lecture, Rhode Island School of Design, Providence, RI
“Aesthetic Cleansing: Sex, Porn, Censorship and the Ideology of Kitsch,” Featured Speaker, Society for Photographic Education, Miami University, Oxford, OH
Artist Lecture, Washington University, St. Louis, MO
Artist lecture and Panel on Censorship, National Graduate Seminar, Photography Department, Tisch School of the Arts, New York University, NY
Artist Lecture, University of Illinois, Gallery 400, Chicago, IL
“Fear of Art, Fear of the Real,” Gallery Lecture, Ezell Gallery, Chicago, IL
1994 – Artist Lecture and two day residency for graduate tutorials, Maryland Institute College of Art, Baltimore, MD
“Sexual Subject/Sexual Object: Rethinking the Female Body or How I Relaxed and Learned From
Madonna,” National SPE Conference, Chicago, IL
“Talking Dirty: The Politics of Female Pleasure,” panel moderator, The Illustrated Woman, Second
Annual Conference on Feminist Activism and Art, The Lab Gallery, San Francisco, CA
1993 – Artist Lecture and Graduate Seminar, California Institute of the Arts, Valencia, CA
Artist Lecture, University of Minnesota, Minneapolis, MN (lecture and three day residency)
1992 – “Sexual Object/Sexual Subject: Rethinking the Female Body,” Women in Photography Conference, Tucson, AZ
Artist Lecture, School of the Visual Arts, New York, NY
“Is Nothing Sacred? Images, Representation, and Accountability,” National SPE Conference,
Washington, D.C.
“It’s a Dick Thing: Watching Men Watching Men Watch,” Panel, National SPE Conference, Washington, D.C.
“What the Bleep’s Going On: Censorship and the Arts,” Panel, San Jose State University, San Jose, CA
1991 – “Boys Will Be Boys: Male Sexuality and Representation,” Panel Discussion with the exhibition
“No More Heroes: Unveiling Masculinity” at SF Camerawork Gallery, San Francisco, CA
“Masculinity and Its Discontents,” Curator’s Lecture, SF Camerawork Gallery, San Francisco, CA
with the exhibition “No More Heroes: Unveiling Masculinity”
“Private Vision/Public Eye: Sally Mann and Barbara DeGenevieve,” co-sponsored by Friends of
Photography and Eye Gallery, San Francisco, CA
1990 – Artist Lecture for the “Labyrinths” exhibition, University of Texas, Arlington, TX
“A History of Gender Representation,” Sheffield Polytechnic, Sheffield, England
“A History of Gender Representation” and Artist Lecture, Nottingham Polytechnic, Nottingham, England
Artist Lecture, Glasgow School of Art, Glasgow, Scotland

WORKSHOPS AND SEMINARS

2005 – The Brilliance of Simple, one day video and photography workshop, University of Memphis, Memphis, TN
2004 – Critique Seminar with students from China, Korea, and Japan, Pingyao Int’l Photography Festival, Pingyao, China.
2001 – Panel on Voyeurism, National Photography Institute Graduate Seminar, Tisch, New York University, NY
1999 – Artist in Residence, one week residency and seminar, University of Colorado at Boulder.
1997 – “The Body and It’s Excesses,” three day workshop, Tyler School of Art, Philadelphia, PA
1996 – “The Body and It’s Excesses,” one week workshop, Oxbow Summer Program, Saugatuck, MI
“The Body and It’s Excesses,” two weekend workshop, International Center for Photography, NY, NY
1995 – “The Body and It’s Excesses,” one week workshop, Colorado College, Colorado Springs, CO
One week residency with the graduate photography seminar, Rhode Island School of Design, Providence, RI
“The Body and It’s Excesses,” one week workshop, University of New Mexico, Albuquerque, NM
National Graduate Seminar, Photography Department, Tisch School of the Arts, New York
University, artist lecture, panel on recent censorship issues, NY
1994 – National Graduate Seminar, Photography Department, Tisch School of the Arts, New York University, two week residency.
1992 – “At the Margins: Sexuality, Gender, and Representation,” three day workshop, University of Colorado, Denver, CO
1993 – “The Body Double: Gender, Sexuality, Self and Image,” two week residency, Anderson Ranch, Snowmass, CO
“Gender and Sexuality” (two day performance workshop, artist lecture) Mississippi State University, Starkville, MS
“Gender and Sexuality” (two day performance workshop, artist lecture) Memphis State University,
Memphis, TN
1991 – “New Directions: Influences in the 90’s,” Friends of Photography Summer workshop with Anne Tucker, Deborah Willis, and Holly Roberts, San Francisco, CA
1990 – “The Self in Context,” Summer Workshop, two week residency, Anderson Ranch, Snowmass, CO
Five day tutorial residency, Glasgow School of Art, Glasgow, Scotland
Gender Workshop and five day tutorial residency, Nottingham Polytechnic, Nottingham, England

CURATORIAL EXPERIENCE

2009 – Curator, Group Exhibition, Bridge Art Fair, Basel, Switzerland, June 2009
2009 – Curator, Group Exhibition, Bridge Art Fair, NY, NY, March 2009
2009 – Curator, Threat Level: “S**king, F**king, F**ting, and BJs” queer video screening, Mr Elegant Gallery, Chicago, IL, February 2009.
2004 – Curator, Student work from the School of the Art Institute, Pingyao Int’l Photography Festival, Pingyao, China 2004
2002 – Curator, “Looped,” Festival of Video Shorts, Artemisia Gallery, Chicago, IL, 2002
2003 – Juror, Women in the Directors Chair Film and Video Festival, 2001, 2003
2000 – Co-Curator, “Plain Brown Wrapper: Artists Make Porn,” Video Screening, G2 Gallery, SAIC, Chicago, IL, 2000
1991 – Editor, “No More Heroes” issue of the SF Camerawork Quarterly, Summer/Fall 1991
1991 – Curator, “No More Heroes: Unveiling Masculinity,” SF Camerawork Gallery, San Francisco, CA (October 18-November 23, 1991)
1991 – Curator, “Articulated Disparities: Renegotiating Masculinity,” Gallery 1, San Jose State University, San Jose, CA (September 10-October 10, 1991)
1991 – Curator, “Reimaging Masculinity,” WORKS Gallery, San Jose CA (September, 1991)

PUBLISHED AND UNPUBLISHED WRITINGS AS AUTHOR

“A View from the Ivory Tower,” Biasin, Enrico, Giovanna Maina, and Federico Zecca, eds. Porn After Porn: Contemporary Alternative Pornographies. Milan: Mimesis International, 2014, pp. 147-156.
“The emergence of non-standard bodies and sexualities,” Porn Studies, Routledge Press, Volume 1, Issue 1-2, 01/02/2014. https://doi.org/10.1080/23268743.2014.888253 
“Fuzzy Logic: ‘I Know It When I See It’ and Other Hazards for Artists,” NMC Media-N, March 24, 2013. 
“Ssspread. com: The hot bods of queer porn.” A NETPORN STUDIES READER (2007): 233.
https://networkcultures.org/_uploads/22.pdf#page=243.
“Censorship in the US or Fear and Loathing of the Arts,” Social Identities, Routledge Press, Volume 13, Issue 2, 03/01/2007. https://doi.org/10.1080/13504630701235549
“No Fisting, No Squirting, No Coffins,” Camerawork, pp.18-21, Fall/Winter 2003
“The Pornographic Sublime,” Exposure, vol.35:1, 2002, pp.13-20.
“Personal interview with author.” Unpublished Text. October 9 (2002).
“Aesthetic Cleansing: Sex, Kitsch, Censorship, and the Recuperation of Pornography,” 1998 (unpublished)
“Interview with Ron Athey,” Hyphen #11, January, 1996
“My Mother’s Body,” Herotica 4, Cleis Press, 1996
“Fucking and Thinking: Theorizing my 40 Something Body,” P-Form, January 1995
“Letting us look: Scandalous genders or blue baby blur.” Camerawork 21, no. 2 (1994): 46-47.
“Sexual Subject/Sexual Object: Rethinking the Female Body” 1992 (unpublished)
“Is Nothing Sacred? Images, Representation and Accountability” 1992 (unpublished)
“Masculinity and its discontents.” Camerawork 18 (1991): 3-4.
Introductory essay, Anne Noggle, (catalog for the exhibition), 1988, pp. 3-5, Photographers’ Gallery, London, UK.
“Guest Editorial: On Teaching Theory,” Exposure, 26:2/3, The Journal for the Society for Photographic Education, Fall, 1988. 
“Psychological and cultural origins of gender representation and their influences on contemporary photographic imagemaking.” MFA diss., University of New Mexico, 1988.
“Silver Lining: The Photographs of Anne Noggle,” Exposure, 22:4, The Journal for the Society for
Photographic Education, (book review) 1984, pp. 25-27.
“An Essay on Photography and Gender,” Gender Construction: An Inquiry into Gender and Photographic Representation, (catalog for the exhibition “Gender Construction”), 1984, pp.11-12.
“Sex As Subject,” Exposure, 20:4, The Journal of the Society for Photographic Education, 1982, pp. 6-20.

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“Issues and Comment,” (interview by David Pace and Diane Jonte-Pace), review: Newsletter of the Friends of Photography, Nov/Dec, 1991, pp. 8-9.
“Brave Nude World,” The San Francisco Bay Guardian, November 27, 1991, pp. 30, 36.
“Masculinity Unveiled,” San Francisco Examiner, November 14, 1991, p. D3.
“Feminism focus of show,” Sunday Herald Times (Bloomington, IN) October 27, 1991, pp. D1, D4.
“Turning the Tables,” Artweek, September 19, 1991, pp. 1,11.
“Man As Art,” San Jose Metro, September 5-11, 1991, pp. 22, 24.
“Inappropriate Appropriations,” Artweek, July 4, 1991, p. 11.
Gallery, Eye, Fraenkel Gallery, and Michael Shapiro Gallery. “NEW MEXICO.” Afterimage (1990).
Arthur Tress, Paul Caponigro, Grey Crawford, Rita Dibert, Susan Smith, and Brian Taylor. “DISTRICT OF COLUMBIA.” Afterimage (1986).

PUBLIC COLLECTIONS

Arizona State University, Tempe, AZ
California Institute of the Arts, Presidential Collection, Valencia, CA
Center for Creative Photography, Tucson, AZ
Central Washington University, Ellensburg, WA
Erie Art Center, Erie, PA
Illinois Photographers Project, Museum of Contemporary Photography, Chicago, IL (1995-2001,2006-present)
Independent Press Archive, Visual Studies Workshop, Rochester, NY
Pomona College, Claremont, CA
Seattle Museum of Art, Seattle, WA
Southern Connecticut State College, New Haven, CT
State of Illinois Art Acquisition Collection, Chicago, IL
Sur Rodney (Sur) Archives, New York, NY
Tamarind Institute, Albuquerque, NM
Tokyo Metropolitan Museum of Photography, Tokyo, Japan
University of New Mexico Fine Arts Museum, Albuquerque, NM